78%Review: ‘Christmas Bloody Christmas’ Is The Neon Infused Punk Rock Killer Robot Santa Movie You Didn’t Know You Needed
‘Star Trek: Strange New Worlds’ Casts Paul Wesley As James T. Kirk For Season 2 Of The New Paramount+ Show
78%Review: ‘Christmas Bloody Christmas’ Is The Neon Infused Punk Rock Killer Robot Santa Movie You Didn’t Know You Needed
67%(Panic Fest) Review: ‘Pennywise: The Story of IT’ Is An Exhaustive & Exhausting Documentary On The Beloved ’90s Mini-Series
67%(Panic Fest) Review: ‘Pennywise: The Story of IT’ Is An Exhaustive & Exhausting Documentary On The Beloved ’90s Mini-Series
Richard Chamberlain·Film & TVReviews·March 16, 2018REVIEW: ‘Tomb Raider,’ The Young Lara Croft Chronicles
Ben Ford·Film & TVReviewsSXSW·March 15, 2018SXSW 18: IndieCollect’s 4k release of 1982’s ‘The Atomic Cafe’ Premieres at SXSW
boomhowdy·Film & TVSXSW·March 14, 2018Netflix Debuts Heartbreaking Official Trailer for ‘6 Balloons’ After SXSW Premiere
Branden Pickrell·Boom NewsFilm & TVSXSW·March 14, 2018SXSW 18: Barry Jenkins Inspires Next Generation of Filmmakers at Keynote
Branden Pickrell·Film & TVReviewsSXSW·March 14, 2018SXSW 18: ‘Ali and Cavett’ Is As Charming As Its Subject Matter
Ben Ford·Film & TVReviewsSXSW·March 14, 2018SXSW 18: ‘The Dawn Wall’ Is So Much More Than a “Sports Documentary”
Kelly Powell·Film & TVReviewsSXSW·March 13, 2018SXSW 18: Praise Jesus! World Premiere of ‘The Gospel of Eureka’ Shines a Light on Acceptance
Ben Ford·Film & TVReviewsSXSW·March 13, 2018SXSW 18: Fritz Böhm’s ‘Wildling’ is More Than Just a Haunting Bedtime Story
Branden Pickrell·Film & TVReviewsSXSW·March 12, 2018SXSW 18: ‘Don’t Leave Home’ is a Weak Entry in the Horror Genre
Branden Pickrell·Film & TVReviewsSXSW·March 12, 2018SXSW 18: ‘The Legacy of a Whitetail Deer Hunter’ is an Average Film From Great Collaborators
Branden Pickrell·Film & TVReviewsSXSW·March 11, 2018SXSW 18: ‘Eighth Grade’ Triumphs in a Timely and Timeless Story
